Transformers / The Corcoran Gallery of Art, Gallery 31

I20110511

Washington, DC

August 31 - October 2, 2011

I20110511 is a portal to another time and place.  Similar to a votive or shrine, it stands as a self-reflective window on the personal journey we all take through time and space.  I20110511 functions as a psychic connector, designed with the sole intent of creating a memory of the viewer’s experience with it.  By activating this memory at a later date— the day the viewer stood in front of a bright fluorescent glowing apparatus while gazing upon their reflection in a mirror— the portal will have fulfilled it’s function.  It will have established itself as a conduit through time, mentally transporting the viewer back to the initial moment they experienced I20110511.

Various Artworks

Postconceptualism: The Malleable Object /

University of Maryland, Stamp Gallery / College Park, MD

March 7 - April 8, 2011

Developing a lexicon around evolutionary impermanence and the idea of taxonomy as a tool for cultural transmission, all of my installations in this group show were reconstructions of entries from The Mind Map Archive.

IB320100622

E7:Tetrad / Transformer / Washington, DC

June 25 - July 17, 2010

An impermanent wall installation examining the human condition and ego in reference to themes of data transmission, evolution and territorial possessiveness.

Untitled, Memory Drawing Installation II

Washington Project for the Arts /

Hickock Cole Architecture Firm / Washington, DC

October 14, 2008

Testing the physical limitations of my Memory Drawings, this impermanent installation at the Hickok Cole Architecture Firm created a scenario for viewers to get lost in between competing astral planes of reality.

Untitled, Memory Drawing Installation

Meat Market Gallery, Project Space /

Washington, DC

July 13 - August 12, 2007

Collapsing space and time through multiple vantage points where two dimensional drawings become three dimensional wall installations, these visual translations used my Memory Drawings as the basis for examining the potential of the white gallery cube to transport viewers into a parallel universe.

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